One of the most talented and accomplished musicians of his generation, Grammy Award-winning bassist and composer Eric Revis has, over the past 15 years, become an important voice in jazz. Branford Marsalis states, “Eric’s sound is the sound of doom; big, thick, percussive.” Scores of musicians across various disciplines agree.  Revis has performed and recorded with Betty Carter, Peter  Brötzmann, Jeff “Tain” Watts, Kurt Rosenwinkel, Jason Moran, Avashai Cohen, Steve Coleman, Ralph Peterson, Lionel Hampton, McCoy Tyner, Andrew Cyrille, and Tarbaby (the experimental trio he tri-leads with Orrin Evans and Nasheet Waits).

Manning the bass chair with Branford Marsalis’s powerfully flexible quartet since 1997, Revis has also recorded five brilliant albums as a leader.  2004’s Tales of the Stuttering Mime and 2009’s Laughter’s Necklace of Tears have both revealed his startling range as a musician and composer. Informed by his past but not tethered to it, a glimpse into the musical trajectory of this artist is indelibly clear on his three releases from the innovative Portuguese label Clean FeedParallax, City of Asylum, and In Memory of Things Yet Seen. Revis’s playing is personal and distinctive: his tone deep and woody, his execution, agile, melodic and clear. A musical polyglot, Revis is comfortable in any setting, any direction. His skills as a band leader and composer are equally profound and inspiring.

Revis is currently offering three projects: Tar Baby, Parallax, and the Eric Revis Quartet. He is also available for bass master classes and workshops.

"I think anyone aspiring to a true artistic aesthetic is aware of and checks out a vast array of material. The more this is done, one starts to adhere to a certain universality of music and art devoid of the hierarchy that artists often attribute to one music over another. I think if one stays true to this ideal, those influences make themselves apparent and permeate (in a very organic way) any art one is involved in."

Click here to watch an interview with Mr. Revis recorded at the legendary London club, Ronnie Scott's.